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Masterpiece

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About Albert

“It may be a bit premature to crown Albert Castiglia America's newest King of the Blues, but there's little doubt that he at least deserves the title of heir apparent.” -- Miami New Times


As most artists will attest, the most unexpected circumstance can spark artistic inspiration. That’s a fact that hasn’t been lost on singer, songwriter and guitarist extraordinaire Albert Castiglia. With his latest album, the aptly named Masterpiece, he celebrates an unforeseen triumph -- a connection with a daughter he never knew he had. The result is a work that’s both personal and provocative all at the same time.


Castiglia calls this the most meaningful album he’s ever made. “My daughter finding me and opening up my world to an additional family, including two grandchildren, brought out the deepest material I’ve ever created,” he notes, “along with my wife, they were my muses.” Indeed, songs such as “Keep On Swinging”, “Masterpiece” and “Bring on the Rain” address the unexpected emotions that infused his psyche with the discovery of a family he never knew.


“Prior to my daughter finding me, my entire adult life felt incomplete,” Castiglia reflects in the song “Bring On the Rain.” “I never knew why I felt that way. I could never put my finger on it. Then when I discovered my daughter, my heart was suddenly overflowing.”


The title track echoes the same sort of sentiment. "After my daughter and I connected for the first time, I submitted my DNA sample to the lab to confirm that I was indeed her father,” Castiglia recalls. “I knew she was my kid the second I saw her picture, but my daughter wanted closure and by me taking the test, it would put all the speculation to rest. On the day my results came up positive, I wrote a letter to my daughter telling her how happy I was to be her father. At the end of the letter I wrote, ‘I've been an artist for thirty years, but you're my masterpiece!’ I ran with that line and made it the perfect song to express my love. As the lyric says, I loved her before I even knew her.”


Co-produced by longtime friend and colleague Mike Zito, and released on Zito’s own label, Gulf Coast Records, on May 24th, the album also finds Castiglia reflecting on the disappointment and disconnect that’s gripped the nation in the past several years. Several songs, “Heavy” and “Love Will Win the War”, deal with the dilemma that has impacted the those forgotten as the result of this modern malaise. “Heavy” brings those ideas to the fore. “It was inspired by people who live in this country and feel alienated, unappreciated, demonized and shunned by society,” Castiglia reflects. “The homeless, the vets, immigrants, people of color, teachers, the LGBT community...they were on my mind the whole time I wrote this tune.” “Love Will Win the War” goes even deeper into the horrors and violence that have shaken the very pillars of the nation’s faith and fortitude. Castiglia says it was inspired by the mass shootings that were all too prevalent in recent years. “Those horrific events got me thinking, ‘What goes through my daughter's mind when she drops her kids off at school? Does she think the worst or hope for the best? I really have a hard time playing this song without choking up, because I have my grandchildren in mind when I play it. It's sad, but I believe it's also hopeful.”


The tone of the album underscores both its mood and its message, from the forthright stance of “Bring on the Rain,” the frenzy and fury of “Keep On Swinging” and the driving determination of “Catch My Breath,” “Thoughts and Prayers” and “Red Tide Blues,” to the rustic reflection of “Love Will Win the War,” the confidence and contemplation of the title track and the somber and sobering “I Tried To Tell Ya.” By Castiglia’s own admission, the sound is raw and unfiltered, little wonder since he and Zito play all the instruments between them.


“I think blues is a wide open net,” Castiglia once told a reporter. “There are a lot of different ways to do it...I’ve taken a lot of heat for what I do. Some people think I’m too edgy to be considered a blues artist. On the other hand, I don’t think that people like Muddy Waters and Howlin’ Wolf would have wanted me copying them and redoing their stuff. There’s no point in doing that. They would want me to do my own stuff.”


Of course, Castiglia should know. The Miami-raised musician served an apprenticeship while backing legendary blues musician Junior Wells. He later went on to work with singer Sandra Hall. Never content to allow himself to be confined to any particular category, he embarked on a solo career that’s yielded eight critically acclaimed album and consist kudos for his exceptional instrumental prowess, his searing vocals, and live performances that have dazzled audiences from coast to coast. It’s little wonder that Miami’s New Times lauded him as South Florida’s “Best Blues Guitarist” or that USA Today was inspired to remark “It's a revelation to discover the thrilling retro-electric blues from this astonishing young guitarist.” Likewise, BluesABout.com called Castiglia “one of those mid-tier artists that is just one album away from breaking big and becoming a household word in the blues world.” Or, as M Music & Musicians once noted, “His back-to-basics approach follows in the footsteps of those who fostered the blues in the Mississippi Delta and the smoky late-night haunts of Chicago.”


For now anyway, Castiglia is content to celebrate a new chapter in his life and what has become an added incentive for making music. That philosophy is perhaps best expressed in another song on the new album, a track called "Keep On Swinging." “It’s about advice I would have given my daughter had I been around when she was a kid but which I'm now able to give to grandchildren,” Castiglia says."’Keep on swinging, don't let the haters get you down.’" I always try to remind them that they are special and can accomplish anything their heart desires if they only put their minds to it. They’re the ones that give me hope for the future.”


Gulf Coast Records to release Masterpiece on May 24, 2019


 


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MUSIC

Albert’s new release MASTERPIECE was recorded at MARZ Studio in Nederland, Texas with musician/producer Mike Zito. “Albert Castiglia is pure emotion. He wears his heart on his sleeve and lets his guitar do the talking”, says Zito. Masterpiece is a raw, deeply personal album for Albert who recently lost his grandmother but simultaneously discovered he had a daughter. This significant life altering event was the springboard for Albert to hone his songwriting skills on Masterpiece with nine deeply meaningful original songs.

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Castiglia is an artist who sings from the gut, shoots guitar licks from the hip and writes songs that articulate ones hopes, fears and heartaches. 
 Recorded at Fat Rabbit Studios in Glen Ridge, New Jersey, this album isn't just solid, it's special. There are plenty of thrills in the musical execution, with Albert leading the band on vocals and guitar, backed by the veteran team of Matt Schuler (bass/vocals), Bob Amsel (drums), Jeremy Baum (B3/piano/wurlitzer), Lou Bevere (guitar/vocals) and Debbie Davies (guitar/vocals) – plus Dave Gross on multi-instrumentation and production.

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Living The Dream (2012)

Albert Castiglia earned his blues cred as a member of Junior Wells' band, but his resumé is irrelevant at this point in his career. His muscular vocal style, incendiary guitar work, and fine songwriting are all the signs of an artist who's in it for the love of music, a fact he wryly acknowledges on this album's title track. With John Ginty's big Hammond B-3 lending support to his chattering rhythm guitar work, Castiglia sings "The road to riches is playing guitar, that's why I'm living inside my car" before laying down another stinging guitar solo. "The Man" is a blues mambo that protests the damage bankers have done to the country with a bitterly humorous lyric and some snarling lead guitar. A modified Bo Diddley beat drives "Public Enemy #9," another wry tale of street life, while "I Want Her for Myself" is a more traditional country blues thang with driving acoustic guitar and cool harmonica work by Sandy Mack. Graham Wood Drout's "Sometimes You Win" is another acoustic workout, a brooding meditation carried by only by Castiglia's acoustic guitar and vocals. Castiglia shows off his guitar prowess on a supersonic version of Freddie King's "Freddie's Boogie" featuring another solid performance by John Ginty on the B-3. He demolishes Mose Allison's "Parchman Farm" with a metallic guitar assault and a sneering, growling vocal and gives Little Richard's "Directly from My Heart to You" the familiar feel of an early New Orleans R&B jam, again with the able work of John Ginty, this time on piano. poet Recording information: Showplace Studios, Dover, NJ.

Photographer: Jim Zielinski. Personnel: Albert Castiglia (vocals, acoustic guitar, electric guitar); John Ginty (piano, Hammond b-3 organ); Bob Amsell (drums). Audio Mixer: Ben Elliott.



  Living The Dream
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Keepin On (2010)

Albert Castiglia has been making his living as a bluesman for 20 years, coming to prominence as lead guitarist for the legendary Junior Wells. He's played with a who's who of blues greats in his career and stepped out on his own in 2002 with Burn, an album that got universal raves. There's no doubting Castiglia's power as a guitarist, as his searing lead work on the album-opening "Cadillac Assembly Line" (written by Mack Rice, composer of the standard "Mustang Sally") demonstrates. Listening to the track on an iPod may permanently fuse your earbuds to your skull. But he's got more on tap than his considerable pyrotechnics. Castiglia demonstrates his versatility with his own compositions, including the jazzy "Mojo 305," an instrumental featuring some nice B-3 work by Bill Quinn; "Keep on Keepin On," a swampy blues-rocker with a topical lyric that tips its hat to Creedence Clearwater Revival with its chooglin' beat and Castiglia's fiery vocal; the acoustic slide guitar showcase "Sweet Southern Angel" with Toby Walker backing up the boss on Dobro; and "Closing Time," a mournful late-night she-done-me-wrong song with inventive guitar work that starts out restrained and slowly builds in its furious power. Castiglia's desperate vocal here is full of anger and resignation. Critics often compare Castiglia's singing to Van Morrison, and maybe there was a bit of Van the Man in his vocal style years back, but on Keepin On he has his own signature style, a combination of urban grit and smooth, soulful crooning. Like Robert Cray, Castiglia combines hardcore blues with soul, rock, and country flavors for a sound that will appeal to rockers and blues purists alike.

Photographer: Jim Zielinski. Personnel: Albert Castiglia (vocals, acoustic guitar, electric guitar, slide guitar); Toby Walker (dobro); Bill "Mighty" Quinn (piano, Hammond b-3 organ); Bob Amsell (drums); Emedin Rivera (congas); Nicole Hart (background vocals). Recording information: Showplace Studios, Dover, NJ. Living Blues (p. 73) - "ON his latest Blues Leaf solo set, KEEPIN' ON, Castiglia sounds nothing less than the road-tested, authoritative presence he has become."


  Keepin On
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These Are The Days (2008)

These Are the Days album by Albert Castiglia Recording information: Showplace Studios, Dover, NJ. These Are the Days songs Personnel: Albert Castiglia (vocals, guitar); Kenny Sorensen (harmonica); Susan Lusher (piano, Hammond b-3 organ); Rio Clemente (organ); Susan Lushner (keyboards); Steve Gaskell (bass instrument, bass guitar); Bob Amsell (drums); Sweet Suzi Smith, Nicole Hart, Nicolette Hart (background vocals). Liner Note Author: Bob Porter. These Are the Days CD music contains a single disc with 11 songs.

Albert Castiglia earned his blues cred as a member of Junior Wells' band, but his resumé is irrelevant at this point in his career. His muscular vocal style, incendiary guitar work, and fine songwriting are all the signs of an artist who's in it for the love of music, a fact he wryly acknowledges on this album's title track. With John Ginty's big Hammond B-3 lending support to his chattering rhythm guitar work, Castiglia sings "The road to riches is playing guitar, that's why I'm living inside my car" before laying down another stinging guitar solo. "The Man" is a blues mambo that protests the damage bankers have done to the country with a bitterly humorous lyric and some snarling lead guitar. A modified Bo Diddley beat drives "Public Enemy #9," another wry tale of street life, while "I Want Her for Myself" is a more traditional country blues thang with driving acoustic guitar and cool harmonica work by Sandy Mack. Graham Wood Drout's "Sometimes You Win" is another acoustic workout, a brooding meditation carried by only by Castiglia's acoustic guitar and vocals. Castiglia shows off his guitar prowess on a supersonic version of Freddie King's "Freddie's Boogie" featuring another solid performance by John Ginty on the B-3. He demolishes Mose Allison's "Parchman Farm" with a metallic guitar assault and a sneering, growling vocal and gives Little Richard's "Directly from My Heart to You" the familiar feel of an early New Orleans R&B jam, again with the able work of John Ginty, this time on piano. ~ j. poet

Recording information: Showplace Studios, Dover, NJ. Photographer: Jim Zielinski. Personnel: Albert Castiglia (vocals, acoustic guitar, electric guitar); John Ginty (piano, Hammond b-3 organ); Bob Amsell (drums). Audio Mixer: Ben Elliott.



  Godfather of the Blues
  Need Your Love So Bad
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A Stone’s Throw (2006)
Recording information: Showplace Studios. Personnel: Albert Castiglia (vocals, guitar); Sandy Mack (harmonica); Ned Berndt (drums).

  A Stone’s Throw
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Burn (2002)


  Burn
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BIG Dog (2016)


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Merchandise


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Music available at iTunes and Amazon along with
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Merchandise: alcastigliaband@bellsouth.net


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